AL YEMEN AL SAEED: Arabia Felix? اليمن السعيد

1 - 25 JULY 2022

SOMAYA ABDUALLAH, MARIA AL DHUBHANI, ASIM ABDULAZIZ, ALI AL SUNIDAR, OSAMA KHALED, NEZAR MOQBEL, IBI IBRAHIM

downloads: press release | exhibition guide (forthcoming)

 

jointly curated by Generation 9 of the Vienna Master of Arts in Applied Human Rights

  • Generation 9 of the Vienna Master of Arts in Applied Human Rights warmly invites you to the opening event on the occasion of the Angewandte Festival.

 
  • Zabn Allah

    portrait

    Somaya Abdualla, 2021

    I took out the camera in order to take pictures of this child (Zeban Allah), then an old man came and said, ‘wait!’. He gave Zabn Allah the weapon to appear in the picture in a way that pleases his community (a strong man). I was thinking that he would tell the boy to smile to look good in the picture, but this is what happened, so I took the picture as you see it.

    7 February 2021, Yemen

  • Headache of Ideas

    Abstraction | digital photograph

    Nezar Moqbel, 10 November 2021

  • Homesick (from the series)

    digital photograph

    Asim Abdulaziz, 2021

    Homesick is a photography project that reflects my emotions after spending several years abroad. In 2019 I decided to return back to my homeland, Yemen, to find that my feelings of alienation in my homeland were stronger than my alienation while living abroad - a feeling also experienced daily by people in Yemen for many years now.

  • What is the first thing you will do when the war ends?

    Ibi Ibrahim, 2020

    1 question is directed to 100 Yemeni citizens. The responses offer a glimpse into what everyday Yemenis want and hope for. The questioned one hundred persons represent different aspect of today’s Yemeni society; keeping in mind those living in the diaspora as a result of the ongoing war and conflict.

  • The Helmet

    DCP, digital film

    Osama Khaled, 2019

    Anas, the main character in the film, is a creative emerging inventor from Yemen. He has many dreams as well as plans for transforming those dreams into reality. In 2015 however, the war broke out in Yemen, and he witnessed his plans and the possibilities they promised fade away as the episodes of gunfire and blockade dragged on. One day, he sat thinking of a way out. Distant and near sounds of airstrikes mixed with feelings of loss, rage, entrapment and desperation forced him to have yet one more dream that allows him to escape his reality.

    Yemen, 2019 | Color | 9 mins | DCP | Arabic

  • Old Sana’a City: Samsarat Al-Nuhas

    VR video

    Mariam Al-Dhubhani, 2020

    Yemeni jewelers at Samsarat Al Nuhas depended on tourism and international exhibitions to sell their work. However, the safety decline in Sana’a since 2006 reduced the number of tourists who used to fill Old Sana’a City. Many jewelers are also unable to participate in exhibitions abroad. Visa applications for Yemenis are made to be extremely difficult and getting rejected is common because of the constant fear of Yemenis seeking asylum and not returning to their war-torn home. Exhibitions used to be a key incentive for many Yemeni jewelers to keep creating new pieces and get wider exposure. The decrease in the demand for authentic Yemeni traditional jewelry led to cheaper material flooding the market with replicas from China and India. If nothing is done in order to salvage these crafts and practices, a huge part of this ancient culture is in danger.

  • Tarik's Mother

    digital photograph

    Ali Al sunidar, 2022

    Tarik’s mother is a combative woman and supports a large family of 8 children. She taught all her children until they completed their education. A great woman that is always there for her neighbours, in the moment of joy, mourning, party or any occasion. She is simply a generous woman.

    8 March 2022, Old Sanaa

THE EXHIBITION

Al Yemen al saeed: Arabia Felix? اليمن السعيد is an interactive art exhibition created for the Angewandte Festival, featuring multimedia works by contemporary Yemeni artists. The exhibition also aims to actively raise a certain kind of awareness about Yemen, which is lacking in mainstream media channels. It highlights the culturally rich aesthetic practices, optimism and resilience of contemporary artists and Yemeni people in the face of the ongoing war. 

The exhibition, jointly curated by the interdisciplinary* students of the Vienna Master’s Programme in Applied Human Rights at die Angewandte, features works by artists Somaya Abduallah, Asiim Abd Al Aziz, Maria Al Dhubhani, Osama Khaled, Ali Al sunidar, Nazar Moqbel, and Ibi Ibrahim.

Looking at the work of contemporary Yemeni artists and human rights research, the title of the exhibition offers a new take on a common phrase: Al Yemen al saeed, اليمن  السعيد,  ‘happy Yemen’, or Arabia Felix?—taken from the Latin origin and accompanied by a question mark. The gesture of the question is foundational to the project and forces reflection on the ongoing and persistent international media coverage of the crisis in Yemen. As is widely known, Yemen is now in the midst of  a war so devastating that the United Nations has called it the worst humanitarian crisis of our time. Simultaneously, examples of Yemen’s breathtaking natural beauty and timeless cultural heritage, although under protection of UNESCO, are in danger of being forgotten and thus lost in a Forgotten War, thereby disappearing from global consciousness.  

Against this background, we as an interdisciplinary* group of human rights students do not see it as an option to call a war “forgotten” but rather a call to remember Yemen while creating new forms of collective action. Awareness of the future of Yemen should not only be limited to the Yemeni people, but must penetrate the hearts and minds of all of us.

The collaborators on the exhibition therefore hope to provide visitors with a multi-faceted view of Yemen, drawn from the everyday hopes and experiences of Yemenis living in the country or in the diaspora. 

Al Yemen al saeed: Arabia Felix? اليمن السعيد offers a multifaceted vantage point through a diverse selection of artworks. Photographs, films, a slideshow and a virtual reality experience by the seven participating artists are embedded by the co-curators in an exhibition format supported by sensory experiences. The exhibition begins with a cup of Yemeni coffee at the entrance, continues with the dialogic format of the Diwan to reflect on the artists’ work, and extends beyond the gallery with urgent questions raised in the context of the exhibition and ways to offer support. 

The seven artists' works touch on themes ranging from youthful rebellion and dreams to the documentation of Yemeni architecture and traditions. What all the works have in common, however, is a deep expression of love for the Yemeni people, accompanied by the underlying question of how hope still survives both within Yemen and for those who want to return. 

Special thanks to the participating artists for offering their impressive works, to the Angewandte Festival and to local Yemeni communities for generously sharing their cultural and traditional objects.

  • Generation 9 of the Vienna Master of Arts in Applied Human Rights  in partnership with ENTRE gallery

*coming from backgrounds in law, international relations, fashion, art & design, physical therapy, business, anthropology,  philosophy, information technologies and art education, including a master’s student from Yemen with a background in communication and media studies who initiated and led the project.

__________________________________

Project creators: gen9ahr@gmail.com | Vienna Master: applied.humanrights@uni-ak.ac.at

Press inquiries or to schedule a visit: entrevienna@gmail.com 

Open hours: www.entrevienna.com

 

Realized with the support of:

the Vienna Master of Arts in Applied Human Rights and the Angewandte Festival, University of Applied Arts in Vienna

 

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